
a podcast for filmmakers
Pictured: Denson Baker ACS NZCS

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135 EPISODES
82k downloads
121k IG followers
34k FB FOLLOWERS
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We're here to inspire and educate the next generation. We want to give a voice to the names in the credits, to make storytellers feel seen and heard. By sharing filmmakers stories and lessons, we hope to leave the industry in a better place.
The Cinemapodgrapher team
FEATURED EPISODES
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Ep. 134
Netflix hit series Adolescence has taken the world by storm — a gripping 4-part mini series exploring parenting, misogyny, and bullying — each episode shot in one continuous take. This week on the podcast, we chat with Director of Photography Matt Lewis and Camera Operator Lee Brown, the duo behind the lens of this viral sensation.
They break down exactly how they pulled off the oners- from the technical challenges to the physical intensity of each episode. We dive into Matt’s history with the One Take technique, why he chose the Ronin 4D for this project, and how Lee got the job as his camera operator. -
Ep. 112
Stuart Dryburgh ASC NZCS teamed up with Jonathan Nolan for four episodes of Amazon's new hit series, Fallout. Adapted from the popular video game series, we delve into shooting with 35mm film, combining virtual production, and working as a setup DP. We also cover Stuart's beginnings in New Zealand, shooting iconic films such as The Piano and Once Were Warriors, and his eventual move to the USA.
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Ep. 119
Catherine Goldschmidt BSC was nominated for both an Emmy and an ASC Award for her work on HBO's House of the Dragon and was named a rising star of cinematography by American Cinematographer. In this episode, Catherine shares her experiences on the inner workings of the production, her collaboration with director Geeta Patel, and we break down several scenes from three episodes.
We also explore her work on the project Dummy, where she pioneered a new way of framing for both 16:9 and 9:16 formats, and discuss her role in co-founding Illuminatrix, a collective of professional female cinematographers based in the UK.
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Ep. 135
Mandy Walker AM ASC ACS’s stunning cinematography has captivated audiences around the world. From Australia to Elvis, Snow White, and commercials for global brands like Chanel, Nike, Louis Vuitton, and Audi — her work is bold, emotional, and always cinematic.
In this episode, Mandy shares how she carved her own path without film school, became a trailblazer for women in film, and developed her approach to storytelling on big-budget productions. She also talks through her work on Snow White — from camera tests to musical sequences, and how she lit the sets of Disney’s latest feature.
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Ep. 114
At 21, Carlos Rosario left the fashion houses of Paris for the hills of Hollywood, where his illustrations landed him his first job. Now a costume designer himself, his recent credits include A Girl in the Spider's Web, Alien Romulus, and FX's hit series Shogun. We talk about his love for fashion, being mentored by four-time Oscar winner Colleen Atwood, and how he found his voice through the costumes of Shogun. This is not just for lovers of costume but an inspiring conversation filled with lessons for all creatives.
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Ep. 124
In this episode, we chat with Larkin Seiple, the visionary cinematographer behind some of the most iconic visuals in recent film and music video history. Larkin discusses his early years working in reality television and shooting over 100 music videos. We break down his work on viral music videos like DJ Snake’s "Turn Down for What" and Childish Gambino’s "This is America". We also explore his long-time collaborations with directors Hiro Murai, The Daniels, and Jon Watts. Finally, we dive into some of his recent feature film work, including Everything Everywhere All at Once and Wolfs.
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EP. 128
In this episode, Heidi shares how she turned career setbacks into success, including her role as Head of Story on the critically acclaimed The Wild Robot. Created during a deeply personal time after the loss of her mother, the film became a heartfelt tribute to their bond. From her early inspirations to her career-defining moments, Heidi offers an intimate look at the artistry and resilience that define her journey.
Tune in for an uplifting and touching conversation with one of Variety’s Top 10 Animators to Watch. Heidi is cementing herself as one of animation’s brightest stars.
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Ep. 125
Helen Shaver has directed some of television’s most celebrated shows, including Vikings, Orphan Black, Law & Order: SVU, Westworld, Station Eleven and The Penguin (Episodes 4 and 5). Helen takes us on a personal journey, sharing how a childhood illness led her to discover a passion for storytelling.
Helen opens up about her directing process, the preparation that went into her episodes of The Penguin, and her collaborative relationship with showrunner Lauren LeFranc.
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Ep. 120
Naaman Marshall spent his early childhood visiting famous film sets designed by his uncle, such as Hook and Saving Private Ryan. This inspired him to pursue a career in the art department, where he has worked as a model maker, art director, and production designer on films including Westworld, The Dark Knight, Transformers: Revenge of the Fallen, Mortal Kombat, Dawn of the Planet of the Apes, and Alien: Romulus.
We discuss his work in model making and the creation of the iconic Dark Knight motorcycle, his first collaboration with Fede Álvarez on Don't Breathe, and the challenges of designing the world of Alien: Romulus.
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Meet THE TEAM
Meet LT, Hannah, Raphael, Deb and learn how the show came to be.
What People Are Saying
“In a world drowning in reviews of the lastest cameras & lights, LT stands apart with his honesty and generosity guiding you through the challenges of working in the film industry. What a breath of fresh air”
— Richard Bon
“It’s been so valuable listening to his conversations where he shares really practical advice and knowledge from the film industry. Thanks so much for this amazing resource!”
— MattQuattro
“I’m loving this podcast, thanks LT for bringing your real life filming experience to our ear pods in a way thats engaging and easy to understand. It always seems there is a mountain of learning ahead of all of us but you have a way of smoothing that down to a manageable gradient, keep up the great work!”
— Martarth

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